Skip to Content
Issue No. 06

Inside the Reliquary

A Photographer Is Granted Entry to the Inner Sanctum of a National Hero.

By Vicente Muñoz

9:37 AM EST on March 1, 2018

At Home With Andres Gomez.

I’ve known Andres Gomez for most of my adult life. He’s a national hero in Ecuador, where I am from. I started training at his academy when I was 14 years old and stayed until I left for college in the U.S. in 2004. My brother was a very close friend of one of his sons, and I would often go to Gomez’s house to pick him up. His pack of dogs would bark as I pulled up. I was always curious about the house, but never actually got to go inside.

Gomez lives in a gated community in the Samborondon district of Guayaquil. His house was designed in a brutalist, postmodern style by his brother, who is an architect. When I returned to Guayaquil, we met in his trophy room on a humid and rainy morning in the summer of 2017.

Gomez let me browse his reliquary at my leisure. His drawers were filled with all kinds of memorabilia— photographs, music, trophies, player badges, magazines, tournament pamphlets. He said since he was always on the move, he sometimes had to leave his trophies behind. He collected tournament programs as souvenirs, but never archived them properly.

Andres is a rock-music enthusiast, and I found dozens of cassette tapes. While on tour he would make time
to go see bands. He regrets not seeing Pink Floyd’s A Momentary Lapse of Reason Tour in Munich while he was in West Germany, but he was busy playing a final against Andre Agassi in Stuttgart that weekend in 1988. Gomez lost that match but won three of his five meetings with Agassi, including the 1990 Roland Garros final.

Despite having spent most of his life traveling and competing abroad, Gomez kept his roots in Ecuador, where he lives with his family. He runs the Gomez-Viver Academy at the Guayaquil Tennis Club in addition to being the tournament director for an ITF tournament and a Challenger series event. However, he never misses his yearly pilgrimage to Roland Garros, where, as a former singles and doubles champion, he is always a guest of honor.

Vicente Muñoz is an Ecuadorian-born, Brooklyn-based visual artist and designer. His work has been published in Interview magazine, The Wall Street Journal, T magazine, and at biennials and galleries internationally. At press time, he was the reigning champion of the Fort Greene Tennis Association.

Featured in Racquet Issue No. 6

Stay in touch

Sign up for our free newsletter

More from Racquet

Murder on a Roman Tennis Court

Renaissance painter Caravaggio killed a man at Campo Marzio, surrounded by pimps and pallacorda.

May 15, 2026

What’s Next for Sloane Stephens is What’s Next for Tennis

Between Patrick Mouratoglou’s Ultimate Tennis Showdown, India’s Tennis Premier League, and INTENNSE, innovators are looking for ways to shorten matches, add pizzazz, and balance inequities in an attempt to draw, and keep, a younger crowd.

May 15, 2026

Dad Had a Bad Day, A Winning Tennis Novel

In Ashton Politanoff’s new novel, a man defenseless against his repetition compulsion unravels in chiseled and unnerving prose.

May 11, 2026

Postcard from Egypt: I Turned a Vacation into an ITF

One 37-year old former D3 player trying to stay fit while traveling with her husband and toddler gets carried away and enters a pro tournament at the encouragement of her hotel pro. What could go wrong?

May 1, 2026

Michael McGregor’s Tennis Love Story

The vibrant and idiosyncratic still lifes—often composed on hotel stationary—are the work of artist Michael McGregor, whose roots in a “huge tennis family” inform one of his favorite themes.

April 28, 2026

Pàdel Shots: a Lexicon

A by-no-means-exhaustive list of the names and neologisms that define a new(ish) sport

April 27, 2026
See all posts