Skip to Content
Issue No. 06

Inside the Reliquary

A Photographer Is Granted Entry to the Inner Sanctum of a National Hero.

By Vicente Muñoz

9:37 AM EST on March 1, 2018

At Home With Andres Gomez.

I’ve known Andres Gomez for most of my adult life. He’s a national hero in Ecuador, where I am from. I started training at his academy when I was 14 years old and stayed until I left for college in the U.S. in 2004. My brother was a very close friend of one of his sons, and I would often go to Gomez’s house to pick him up. His pack of dogs would bark as I pulled up. I was always curious about the house, but never actually got to go inside.

Gomez lives in a gated community in the Samborondon district of Guayaquil. His house was designed in a brutalist, postmodern style by his brother, who is an architect. When I returned to Guayaquil, we met in his trophy room on a humid and rainy morning in the summer of 2017.

Gomez let me browse his reliquary at my leisure. His drawers were filled with all kinds of memorabilia— photographs, music, trophies, player badges, magazines, tournament pamphlets. He said since he was always on the move, he sometimes had to leave his trophies behind. He collected tournament programs as souvenirs, but never archived them properly.

Andres is a rock-music enthusiast, and I found dozens of cassette tapes. While on tour he would make time
to go see bands. He regrets not seeing Pink Floyd’s A Momentary Lapse of Reason Tour in Munich while he was in West Germany, but he was busy playing a final against Andre Agassi in Stuttgart that weekend in 1988. Gomez lost that match but won three of his five meetings with Agassi, including the 1990 Roland Garros final.

Despite having spent most of his life traveling and competing abroad, Gomez kept his roots in Ecuador, where he lives with his family. He runs the Gomez-Viver Academy at the Guayaquil Tennis Club in addition to being the tournament director for an ITF tournament and a Challenger series event. However, he never misses his yearly pilgrimage to Roland Garros, where, as a former singles and doubles champion, he is always a guest of honor.

Vicente Muñoz is an Ecuadorian-born, Brooklyn-based visual artist and designer. His work has been published in Interview magazine, The Wall Street Journal, T magazine, and at biennials and galleries internationally. At press time, he was the reigning champion of the Fort Greene Tennis Association.

Featured in Racquet Issue No. 6

Stay in touch

Sign up for our free newsletter

More from Racquet

Queen Vee: Venus Williams Redefines Tennis Longevity in D.C.

Rennae and Andrea are all over Washington DC, the kickoff to the US hardcourt swing. Starting with the inimitable Venus Williams—say that five times fast if you're German—who came out swinging against Peyton Stearns and notched her first tour-level win in two years, as well as check ins on Emma Radacanu, Taylor Fritz and Perennial dark horse Ben Shelton. Plus: in a bonus mini-episode, Rennae is live and direct with Canadian sensation Gabriel Diallo behind the scenes of the Citi Open.

July 23, 2025

Tennis Smells Different to Everybody

 In 1987, the Australian poet Clive James demanded that he be brought the sweat of Argentinian tennis icon Gabriela Sabatini, writing “For I know it tastes as pure as Malvern water, Though laced with bright bubbles like the acqua minerale.”

July 14, 2025

How to be a Good Loser (If You Have to Be) 

Because winning is the point of everything, we’ve all been taught, in some way or another, how to do it—instructions we carry out with varying degrees of success.

July 8, 2025

The True Tennis Heads of Wimbledon

Every year, a bunch of 20-somethings with national rankings make the data calls in SW19.

July 3, 2025

Wimbledon: Daily Scene Report

During the fortnight, we've got photographers Nick Pachelli and Maia Flore taking in the sights, scenes and spectacles on the grounds at the All England Lawn & Tennis Club. Follow along for the highs, the lows and (of course) the whoas from SW19.

July 2, 2025
See all posts