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Alex's work has been featured in The New York Times, Sports Illustrated, Bicycling Magazine, L’Equipe Magazine, and more. You can visit his website here.
Alexander Aguiar is a photographer based in Miami who is capturing scenes and matches around the second half of the Sunshine Double for Racquet. His impressionistic photography captures the heavy conditions in South Florida as well as the brightest stars on both tours.

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These days, American college tennis is barely that: American
Sure, game-play conditions may vary, and a maintained court is more enticing for actual play, but as purely aesthetic fascinations, the inherently satisfying rationality of court design endures.
Frenchman Arthur Fils—the charisma bomb—is back and looking better than ever.
Racquet’s See You In Court is a regular column in which Melissa Kenny, a famously mediocre lifelong player, opines on pro tennis. She also writes Hard Hitting, a Substack about the thrills and frustrations of recreational tennis.
Our Managing Editor Wendy Laird is on the grounds and has Dispatches from the Desert coming in on a regular basis: Today the BNP Paribas Open is over. Long live the BNP Paribas Open.
There’s something wonderful about seeing “closed for the season” on a hotel’s website. They’re just four words, but they say so much: we don’t wring every penny from this property; this location has a “season;” this hotel values your experience far too much to stay open during sub-par weather. “Closed for the season” has a lot of sexy indifference to it; it makes you want to visit even more.