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There is a simple explanation for why Roland-Garros has so often decided to go its own way: because France thinks it is the best at everything. 

Sinner and Alcaraz have split the last two calendar years of Grand Slams and counting, and have set themselves scarily far apart from the rest of the pack. But beneath their momentous, center-stage war, another is incubating.

Rolex Testimonees Garbiñe Muguruza, and last year's women's singles champion Coco Gauff reflect on what it takes to lift the Suzanne-Lenglen trophy at Stade Roland-Garros in Paris.

Renaissance painter Caravaggio killed a man at Campo Marzio, surrounded by pimps and pallacorda.

Between Patrick Mouratoglou’s Ultimate Tennis Showdown, India’s Tennis Premier League, and INTENNSE, innovators are looking for ways to shorten matches, add pizzazz, and balance inequities in an attempt to draw, and keep, a younger crowd.

In Ashton Politanoff’s new novel, a man defenseless against his repetition compulsion unravels in chiseled and unnerving prose.

One 37-year old former D3 player trying to stay fit while traveling with her husband and toddler gets carried away and enters a pro tournament at the encouragement of her hotel pro. What could go wrong?

The vibrant and idiosyncratic still lifes—often composed on hotel stationary—are the work of artist Michael McGregor, whose roots in a “huge tennis family” inform one of his favorite themes.